Rock and Clouds
A Sapphire Rainbow
Wall in Sunlight
A Wall in Shadow
Thirty Minutes Before Sunset
Pine in Afternoon Light
Cliffs 35 Minutes Before Sunset
One Minute Before Sunset
Twenty-Nine Minutes Before Sunset
Two Minutes Before Sunset
Ten Minutes After Sunset
Four Minutes After Sunset
Seven Minutes After Sunset
Pine at Sunset
Eleven Minutes Before Sunset
Pine in Morning Light
One Minute After Sunset
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and very informative. I will utilize these techniques from now on. Thanks a lot for sharing!
Many moons ago, a teacher told me that photography was the art of painting with light... such a simple phrase that sums up such a complicated subject. Thanks for shedding a little more light on it.
The photography of SP is my favorite part of the site. I am a complete amateur,but am inspired by photograhers here at SP. Thanks for sharing the love of photography, the information and the inspiration.
what a phenomenal article and great pointers to us beginners. thanks and happy summits!
Great article. Thanks for sharing your worthy advice. What better way is there to bring your experiences back to share with others?
i especially like the timed interval shots. thanks so much for putting this together.
Informative article with great images. Couple things you might consider adding:
1. The affect of lighting on texture. This could be especially useful for what might otherwise be a "boring old route shot"--being able to see the texture of the terrain could help others out. But, as I'm certain you're well aware, texture is a vital element of good photographs and its appearance is dramatically affected by the light.
2. In your paragraph about direction-less lighting, you might mention that this shooting situation is usually caused by an overcast day. Also, an overcast day eases the contrast in certain scenarios, such as when shooting under "spotty" shadows, like under a thinly vegetated forest canopy.
Thanks for your helpful comments. I just finished working your 2nd suggestion into the article. I'll have to think a while before adding something on "texture" but will try to do it soon.
Hey, thanks for the compliments and suggestions. As the "thirds", I thought Mark Dorion did a great job of covering that along with some of the other "rules" in his article "Cropping - The Kindest Cut" so didn't feel I needed to do so. As to "White Balance" and manual manipulation of digital shots, well, those remain for another article. Why don't you write it? I suspect you could do the subject justice. Mike.