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Photography in the Dolomites

 
Photography in the Dolomites

Page Type: Article

Object Title: Photography in the Dolomites

Activities: Mixed

 

Page By: jonybakery

Created/Edited: Nov 29, 2011 / Nov 29, 2011

Object ID: 762936

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Page Score: 92.88%  - 42 Votes 

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Intro

In 2010 I left my job as an accountant in London and embarked on a European photography adventure. My plan was to travel from Provence through the Swiss and French Alps down into the heart of Italy and then make my way up to Slovenia via the Dolomites, part of the Italian Alps in the North-East corner of the country. Throughout the early part of my trip I kept hearing alluring accounts of the magnificence of the Dolomites. I would outline my itinerary to fellow hikers and travellers, and on the mention of “Dolomiti” (as they are called in Italian) a gleam would come into their eyes, “Ah, you know about the Dolomiti”.

And the reverence this range of mountains inspires is well deserved. They are certainly unlike any mountain range I have ever seen and for me, despite the best efforts of the Himalayas, Rockies, Andes and other classic ranges, by far the most spectacular in the world. The fine early autumn day my fiancée and I arrived we spent that first afternoon driving the mountain roads drinking in the scenery in a state of high excitement. The striking originality of this landscape lies in the contrast between the upper and lower parts of the mountains. Raise your hand to block out anything above 2,000 metres lying in your view you will find yourself gazing upon gentle rolling mountains covered with verdant forests and lush green meadowland scattered with old wooden barns. Enchanting villages complete with picturesque churches either nestle in the nooks and crannies, or perch precariously on the steep hillsides. But take your hand away, and soaring rocky spires are revealed, pinnacles and towers of limestone rising like skeletons of mountains up to 3,000 metres above the fairy-tale landscape below.

Well, we fell in love, and became determined to make this place home!

There are 18 major peaks in the region, some in isolated splendour, others forming great sweeping panoramas. The area is surprisingly easy to explore by car at any time of year, as many of the mountain roads go up to 2,000 metres and are kept open all winter (unlike those in the French or Swiss Alps). There is also a large ski lift network, with over 1,200 kilometres of piste covered by the Dolomiti Superski pass alone. Also in contrast to much of the Alps, although the ski lift network is a visible modern development in the landscape it is not so overwhelming as to be ugly and many mountains have been left entirely untouched. Venture down one of the many marked trails on foot and a little effort is quickly rewarded with tranquil solitude in which to enjoy special and magical vistas. A fantastic network of “Rifugi” (mountain huts) populate the upper reaches of the mountains where a hiker or climber can sleep in comfort. Some are simple shelters while others are luxurious; one such establishment even serves Cristal Champagne! It is also possible and permitted to camp overnight in the mountains for dawn and sunset shots, and this is my preferred style of accommodation.

Autumn in the Dolomites

 
Armentara, Dolomites
Armentara
Autumn is an especially beautiful time to be in the Dolomites, the many alpine Larch trees turn a beautiful rich gold before dropping their leaves. For a few magical but all too brief days the first snowfall of winter added a dusting of icing sugar to the golden trees and contours of the rocky peaks. This images of Croda Di Santa Croce, taken from the Armentara pastures was captured on one such day. I returned one day later and all the needles had fallen to the ground. I look forward to returning in spring when I have heard the pastures are ablaze with wild flowers.


Croda da Lago

 
Croda Da Lago, Dolomites
Croda da Lago
Croda Da Lago is a magnificent jagged ridge not far from the town of Cortina, the winter playground of Italy’s uber rich. In preparation for this shot I hiked up into the Cinque Torri region and scouted for a suitable location. I knew I wanted a line of golden larch with the ridge in the background. I also knew that for the trees to be out of the mountain shadow I needed to be set up and ready a full hour before sunset.

Lago di Carezza

 
Lago di Carezza, Dolomites
Lago di Carezza
Lago Di Carezza was one of the first spots we discovered in the Dolomites, a classic alpine lake with the Latemar mountain range as a backdrop.


Detail in the Larch trees

 
Larch trees, Dolomites
Larch trees
There is wonderful detail to be photographed; I waited by these dew covered trees for several hours in anticipation of the early morning light to illuminate them.

Man and the landscape

From a photography perspective the interaction of man with the landscape has provided many interesting opportunities such as this shot of Val Di Funes, taken moments before sunset with the magnificent Odle range nestled behind the village St. Magdalena.

 
Val di Funes, Dolomites
Val di Funes


This image of the Wengen church in Alta Badia was captured in the pre-dawn twilight.

 
Wengen, Dolomites
Wengen


Pale di San Martino

 
Pale di San Martino, Dolomites
Pale di San Martino
By late November the alpine landscape is in the grips of winter, and suddenly everything becomes much less accessible on foot. Following a failed hike to a location which had to be aborted after three hours trudging through thigh deep powder I began to use the ski lifts to reach handy vantage points. Usually I would catch the last lift of the day and wait for sunset. The theory was simple, but in practice I soon discovered that the ski police (yes, such a thing exists!) do not take kindly to photographers hanging about on the piste once the piste bashers get to work. After one run-in with them, I took to hiding behind trees which added a comic aspect to loitering in the cold. At least my return journeys were quicker than my usual boring trudge down in the dark from mountain top sunset shots, and exhilarating too, as I whizzed over virgin piste dodging the piste bashers!

This image of Pale Di San Martino was taken from the stunning Passo Rolle ski area.

 
Pale di San Martino, Dolomites
Pale di San Martino


Ski touring

 
Monte Civetta, Dolomites
Monte Civetta
Enjoyable though my lift up/ski down shoots were, I still hankered to reach those less accessible spots in winter. I purchased a set of touring skis to which you can attach synthetic “skins”. The skins stick to the bottom of the ski and have a nap, which allows the ski to slide forward but not back on a gradient – hence enabling uphill travel. It’s certainly good exercise and means you can get to remote locations in heavy snow.

Perhaps my most successful ski touring trip gave rise to this image of Mount Civetta. One late winter afternoon the cloudy stormy skies looked very promising. I threw on my ski touring gear and set off in search of locations in the Cinque Torri area. First up was a mid-afternoon shot of Croda da Lago. Caked in snow, surrounded in moody cloud and dappled with rays of sunlight I took my first keeper shot of the day.

 
Croda Da Lago, Dolomites
Croda da Lago


I began to wait for sunset and dug a snow hole to keep warm, but presently I spied an even better vantage point higher up the mountain. To the alarm of my fiancée who was watching from lower down the mountain getting there necessitated traversing a two metre wide ridge of snow with drops on either side. As I set off I received a phone call on my mobile phone. “Do you know there’s a big cliff just next to you?” my dearly beloved wanted to know. I assured her I did and was being careful and it was true – I was terrified. I set my sights on Rifugio Nuvolo, a summer only hut near the summit. At over 2500m the hut has incredible 360 degree views from the tiny summit with vertical cliffs in all directions. Heaven knows how it was built. Every way I looked there was a composition to be had and the sky filled me with hope and anticipation. As the sun got lower in the sky I photographed the last rays of light on Civetta and also shot towards the sun with incredible rays of sun bursting through the clouds. I gingerly skied back down across the terrifying ridge and lived to see another day.

 
Marmolada Sunset rays
Sunset rays




Snow shoeing

 
Monte Pelmo, Dolomites
Monte Pelmo
Another method of getting into the mountains in winter is to make use of snow shoes. Having scoured the map I felt spectacular views of Mount Pelmo could be found if I could get up high enough so we ventured out on our snow shoes into the Mondeval region. After spending an enjoyable afternoon hiking up in glorious sunshine I found a spot looking over Pelmo near a small unmanned emergency hut. We put on every item of clothing we had the sun disappeared behind a mountain and the temperature plummeted. I waited with my camera for an hour and a half in the now howling wind on a snow blown slope. The light was beautiful and the view was perfect, just as I had hoped.





Patience at Lagazuoi

 
Lagazuoi view, Dolomites
Lagazuoi
It is repeated so often as to be a cliché but patience really is a virtue in landscape photography. On a flat overcast day there is so often the temptation to pack up and head home early, especially if the temperature is ten Celsius below freezing. These days I wait, no matter what the conditions as there is nothing more demoralising than missing perfect light. On my last winter excursion I took the last cable car to Lagazuoi from Passo Falzarego. I had close to a four hour wait for sunset and during that time the cloud cover did not fill me with hope. Boredom and cold soon got to me but somehow I fought the urge to head down the mountain. I walked in circles and made frantic “star jumps” to stave off the shivers. Then, joy of joys, a few minutes of magical light came without warning, lit up the surrounding mountains and made it all worthwhile.

 
Gran Lagazuoi, Dolomites
Gran Lagazuoi



My website

 
Wengen, Dolomites
Wengen
I am still to photograph the most iconic mountain of the Dolomites; Tre Cime. It really requires high summer for dawn or dusk light to illuminate the North facing peaks and I must return in June 2012 to capture it. This is what makes the Dolomites such an exciting prospect for me. In such a small area there are so many beautiful mountains and the four vastly varying seasons ensure endless photographic opportunities. Hopefully over the coming years I can share my passion for these mountains through my images and workshops.

For more of my images of the Dolomites, Italy, England, Scotland and more please visit my website: Dolomites Photography

Images


Comments


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Viewing: 1-11 of 11    

AlbertoRampiniFantastic shots

AlbertoRampini

Voted 10/10

My compliments!!!
Cheers.

Alberto Rampini
Posted Nov 29, 2011 11:37 am

ezaBeautiful pictures

eza

Voted 10/10

Outstanding images, Jon, thanks for sharing them. They've brought back happy memories from our summer holidays, three months ago.
Posted Dec 3, 2011 12:48 pm

EricChuCongratulations from the depth of my heart!!!

EricChu

Voted 10/10

Your pictures are absolutely incredible!!! Each one of them, with absolutely no exception, just took my breath away!!
Posted Dec 11, 2011 2:36 pm

Trevers89Amazing gallery!

Trevers89

Hasn't voted

The Dolomites are definitely some of the most distinctive mountains anywhere. Your shot of Civetta struck a chord, I have unfinished business with that mountain!

What camera do you use? I want to progress my photography with my mountaineering, I'm not that experienced or kitted up for either at the moment though
Posted Dec 19, 2011 8:04 pm

jonybakeryRe: Amazing gallery!

jonybakery

Hasn't voted

Hey.

I use a mix of film and digital. More and more I use digital now as the cameras are so good. I use a Canon 5d MkII and its great. A tripod is a must and I never go into the mountains without one. If we want to shoot in low levels of light you need one. Most of my panoramics are 6 digital images stitched together and for this I use a panoramic tripod head...lets me get the 6 images quick and all lined up.

Always shoot in RAW in your camera. This gives you the most flexibility in post processing. When you get your RAW files out the camera you need to understand the camera has done no internal calcs..ie no contrast or saturation has been added. it lets you process the image in the way you want the image to be...ie recreate what you saw.

I really recommend getting the 5D MkII and its now a few years old so you cab probs pick one up pretty cheaply. A new version is due out some time next year.
Posted Dec 20, 2011 4:07 am

millsSuperb

mills

Voted 10/10

Indeed jonybakery a superb gallery and read. Hoping to go to the Dolomites next Summer to climb the Cima Grande North Face by the Comici Dimai route.
Thanks for posting.
Posted Dec 23, 2011 2:57 pm

MarmadukeThe Best Photos,

Marmaduke

Voted 10/10

that I have seen in an album on SP since I joined 2 years ago. Truly fantastic, each photo virtually has something different. From colors, contrast, grays, blacks, low light, etc. Nice!!
Posted Jan 3, 2012 4:11 am

jonybakerythanks

jonybakery

Hasn't voted

Thanks all for your nice comments
Posted Jan 3, 2012 5:48 am

SlavFloramazing photos

Voted 10/10

breath taking and amazing photos
How I wish I can witness these scenes personally :(
Posted Mar 10, 2012 8:21 am

Ejnar FjerdingstadGreat Dolomite Article,

Ejnar Fjerdingstad

Voted 10/10

with superb photos! I totally share your opinion of the Dolomites.
Posted Apr 26, 2013 8:53 am

paulrichard10No photos of rain?

Hasn't voted

Hehehe. I visited the Dolomites several times and every time I was there it rained and there were a lot of clouds covering the upper reaches of the mountains.

It IS a unique area and seeing your photos made me want to retuen. Thanks!
Posted Apr 29, 2013 4:43 pm

Viewing: 1-11 of 11